Sunday, 7 August 2011

More costume research : Fashion Icons

Here are some strong bold fashion icon that has brought this colour into my pallet , And strongly influenced the style in this video at the performance elements .The length of these dresses has also inspired me as it adds a sense of class and grace i would like to achieve in our video .
SAG AWARDS 2011 RED CARPET FASHION
Another colour we decided to use with black is white . This is because of many reasons . Directly , it is the opposite of black as are the two characters this song is about they are contrasting and conflicting to the eye as the characters and in personality.Also white is the colour of peace and black is a symbolism of the ends of things . Directly implying that peace will be brought to her from the end of that relationship . It is also a direct reference to the piano she is playing in the video as the main instrument this song is composed of is piano .Originally i have seen some dresses in white on the red carpet on women such as Kim Kardashian and Padma Laksimi and tohrght that they looked gracefull witch was an element i wanted to capture in my vedio and trye to do so by using the colour they wore .Kim Kardashian White DressPadma Lakshmi
Last colour we will be using with black is gold . She will only be wherein gold in flashbacks of their good times together symbolization of the best times in their relationship as gold is a rich colour that is associated with great things such as Christmas witch is an indirect symbolism of togetherness and literal gold itself .Main star to bring this to my attention and is a great example of what i mean is Megan foxes outfit on the Golden Glow Awards .
The reason why i will have so many costume changes in my video is to imply that this has gone on over a long period of time in several locations in several situation. It shows a certain timeline and creates the illusion of these things happened with time apart . It is also to symbolism the stages of their relationship and to emphasizes surtain aspects .

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